Jan De Nul
Jan De Nul
World Builders

When I started making this film, I wasn’t interested in simply showing the scale of Jan De Nul.

The numbers are impressive, nearly 9,000 people, more than 200 vessels, and projects all over the world, but what fascinated me was something else entirely.

I wanted to understand how they build. What drives them. How they approach the act of shaping the world around them.

The more I observed, the more I felt that this wasn’t a story about machines, vessels or infrastructure. It was a story about people. People who think in generations rather than projects. People who understand that improving the world often requires intervention, sometimes on a massive scale, sometimes through the smallest details.

What intrigued me was the constant dialogue between the macro and the micro. Between moving vast amounts of earth and water, and the precision, craftsmanship and care required to make it happen. Every action seemed to be part of something larger. Not an end point, but the beginning of something else.

In many ways, I approached this film almost like a nature documentary. Observing rather than explaining. Looking at how people interact with landscapes, coastlines, ecosystems and communities. Watching how they leave their mark, while trying to create the conditions for future growth and resilience.

This film is the result of that journey. A portrait of Jan De Nul, not just as a company, but as a collective of builders, people shaping water, land and energy in ways that will outlast them.

Watch it. Or better yet, experience it.

I want to thank everyone who helped bring this film to life.

This is one of the biggest projects I’ve had the privilege to direct so far, and it has been an incredible journey from start to finish.

Over thirteen shooting days, we worked with an extraordinary crew, countless contributors, and many people who reshuffled their schedules to make this project possible. Together, we travelled to places that are no longer easily accessible, climbed aboard some of the largest vessels I have ever seen, and found ourselves in situations that were as exhilarating as they were humbling.

I remember standing on the edge of a dredging vessel racing across the Ocean, feeling how small I was in comparison to the forces of nature and engineering surrounding me. Time and again, I found myself in environments that felt completely unfamiliar, almost impossible to comprehend until you experience them firsthand. Worlds that most people never get to see.

What I will remember most, however, is the generosity and dedication of everyone involved. The openness with which the Jan De Nul teams welcomed us into their world. The trust from the people at Base Design. The support from everyone at ILA. And the commitment, talent and resilience of the entire crew who helped make this film what it is.

Thank you all. It was a privilege to be part of it.

Client: Jan De Nul

Jan De Nul: Heleen Schellinck, Bruno Hanssens, Thomas Cleyen, Michael De Leener, Sabine Delathauwer, Filip Roobaert
Agency: Base Design

Base Design: Dimitri Teunissen, Jack Farazijn
Productie: Ila Studio
Head of Production: Lies Muys, Lise Everaert

Executive producer: Sarah Theys

Script development: Bo De Group, Hans Barbe, Jef Boes

Line producer: Geert de Wachter

Production Assistant: Alexia Desplenter

Post Producer: Jelle Robbeets
Director: Jef Boes
DOP: David Toom, Ivo Nelis

Treatment: Benedicte Staels

Copywriter: Eva Dejonckheere

Editor: Robin Depraetere
1 AD: Martin Temmerman
1 AC: Joris Rymen, Calder Costeyn
Gaffer: Dries De Paepe
Drone: Jan Crommelinck – Aeroplay films
Steadycam: Charlie Vandenbrick

Electro: Matthijs Nakaerts

Camera rental: Mira Cam
Sound Design: Raygun- Toon Jansegers, Brecht, Loes Fierens, Shi Qi Ji, Peter Baert

Voice casting: Raygun

Music: Universal ..

Grading: De Grot

VFX: FRAMES Postproduction
Grip: Lester Otten

Director’s CUT – INSPIRED by the words of ALAN WATTS